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'He asked me what my favorite position was. I said CEO.'Abby James doesn't count on a man to keep her happy. She's content with who she is, her size and doesn't need to be some arm candy to make her feel pretty or smart. She is all of these things. Sort of.
Burned by love more than once, she's not going down that road again. Her brother's married to her best friend and they have cute kids. She can be the crazy-awesome aunt instead of a mother.
Focusing on her career prospects, she takes a leap and applies for a position under billionaire CEO Daniel McGregor.
Except her goal is to move up in her field, not under her boss. Hot as he is, she's determined to stay focused on her career. But when Daniel proves not to be the ruthless playboy the media makes him out to be, can Abby make room for love in her life?
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Spoiler alert! This post contains a mild spoiler for the new “Halloween” movie. Beware if you haven't seen it yet.
Slasher-movie favorite Michael Myers is back on the big screen and, to no one’s surprise, his body count is as impressive as usual.
However, as masked Michael goes door-to-door during his bloody path of suburban carnage in the new horror sequel “Halloween” (in theaters now), one of the most fascinating aspects is who he doesn’t kill.
In one scene, Michael enters the back door of a home, sees a woman in the kitchen and takes a hammer to her head. He picks up a large knife – his signature weapon – and walks to the front door. He passes by a baby crying in a crib, but instead of murdering the infant, he stops and looks down before turning and heading out.
Are babies off the board for him? Not exactly. “It was a last-minute art direction detail because it was going to be a man asleep on a couch, and then the man didn't show up,” director David Gordon Green explains with a laugh.
When the extra failed to appear on the set that day, production designer Richard Wright suggested putting a baby crib in the living room as a workaround, “which I thought was a little weird, but let's see what happens,' Green recalls. 'I didn't give it too much thought, but there's no way I'm going to watch a movie or support a movie where he kills a baby.
“The unfun answer is, I don't think I was doing it from the authentic perspective of a serial killer. I think I was doing it from the perspective of a father. There's not any humanity to it.”
However, in doing rehearsals and seeing Michael (played by James Jude Courtney) acknowledge the baby and then move on toward his inevitable showdown with Laurie Strode (Jamie Lee Curtis), Green says he felt the villain’s complexity. “Sure, as a filmmaker and a writer and a director, I might have a morality that's helping navigate this very bizarre and often unethical journey. That's a choice I made. And from that choice, I found a more complicated character, and I kind of did enjoy that simple consideration.”
For the record, Michael was also going to move past the sleeping guy without stabbing him – a nod to the character’s random brutality.
“In the original ('Halloween'), he'll grab you by the throat, throw you against a wall, throw a knife into you and then study your death. He is interested,” Green says of Michael. “It is hard, because so much of the movie, we're trying to not explain (his choices). . (It's) fun to let the audience's imagination wonder why and argue why and call baloney on the filmmakers or whatever the conversation inspires. I love doing that as well. But you do see certain little ethical decisions.”